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With the #Me Too movement and a general greater sense of what’s right and what’s wrong, many of us are — rightfully so — more sensitive than we used to be.

Many of us have started to listen to and amplify the experiences of other people.

She wrote: "I'm a little embarrassed to say that it took even longer for me to fully comprehend the scene late in 'Sixteen Candles,' when the dreamboat, Jake, essentially trades his drunk girlfriend, Caroline, to the Geek, to satisfy the latter's sexual urges, in return for Samantha's underwear." After rewatching the movies she'd worked on with the writer-and-director - who died in 2009 - she went on to watch and read more of his work but it left her disillusioned as she believed he could be "racist, misogynistic, and, at times, homophobic".

We have a shorter fuse for racial injustice and gender inequality.

We are continually demanding much more from our entertainment.

Whether that's enough to make up for the impropriety of the films is hard to say." But the actress thinks future generations will be left to decide if the movies are still relevant in the years to come.

She wrote: "The conversations about [the films] will change, and they should.

"It's up to the following generations to figure out how to continue those conversations and make them their own - to keep talking, in schools, in activism and art - and trust that we care." Ed Power Elusive fish, barfing gourmands, sex education with a difference...

Throw it all together and you have one of the weirdest big screen comedies ever - 50pc end-of-pier romp, 50pc fever dream." However, Molly - who also starred in John's 'Pretty in Pink' - argued the filmmaker was a trailblazer for focusing on the experiences of teenage girls in a real way.She said: "John's movies convey the anger and fear of isolation that adolescents feel, and seeing that others might feel the same way is a balm for the trauma that teenagers experience..."But I hadn't anticipated that it would ultimately be most troubling to me." And Molly explained how one particular scene made her feel uncomfortable "after a number of women came forward with sexual assault accusations against the producer Harvey Weinstein, and the #Me Too movement gathered steam".She wrote: "At one point in the film, the bad-boy character, John Bender, ducks under the table where my character, Claire, is sitting, to hide from a teacher.They were trimming down the cast to just four girls, and originally I was going to be one of those girls.

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