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At the suggestion of the National Viewers' and Listeners' Association, the Conservative MP Graham Bright introduced a Private Member's Bill to the House of Commons in 1983.

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The BBFC had been established in 1912, essentially as an unintended consequence of the Cinematograph Act 1909, and it was their responsibility to pass films intended for the cinema for certification within the United Kingdom (though local councils were the final arbiters).

As part of this process the board could recommend, or demand in the more extreme cases, that certain cuts be made to the film in order for it to gain a particular certification.

Amid the growing concern, The Sunday Times brought the issue to a wider audience in May 1982 with an article entitled "How high street horror is invading the home".

Soon the Daily Mail began their own campaign against the distribution of these films.

These video releases were not brought before the British Board of Film Classification (BBFC), which could have censored or banned many of the films, due to a loophole in film classification laws.

As a result, this produced a glut of potentially censorable video releases, which led to public debate concerning the availability of these films to children due to the unregulated nature of the market.

In the early 1980s, in certain police constabularies, notably Greater Manchester Police which was at that time run by devout Christian Chief Constable James Anderton, police raids on video hire shops increased.

However the choice of titles seized appeared to be completely arbitrary, one raid famously netting a copy of the Dolly Parton musical The Best Little Whorehouse in Texas (1982) under the mistaken belief it was pornographic.

The exposure of 'nasties' to children began to be blamed for the increase in violent crime amongst youths.

The growing media frenzy only served to increase the demand for such material among adolescents.

Such permission was not always granted, and in the case of the release of The Exorcist in 1973, a number of enterprising managers of cinemas where permission had been granted set about providing buses to transport cinema-goers from other localities where the film could not be seen.

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