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A well-known example is The Dream of the Fisherman's Wife which depicts a woman being pleasured by two octopuses.

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This is likely due to the obscurity and unfamiliarity of the works, arriving in America and fading from public focus a full twenty years before importation and surging interests coined the Americanized term of hentai.

The first is the 1969 film One Thousand and One Arabian Nights which faithfully includes erotic elements of the original story.

Erotic games, another area of contention, has the iconic art style first depicted in sexual acts in 1985's Tenshitachi no Gogo.

The history of each medium itself, complicated based on the broad definition and usage.

Japanese artwork and comics serve as the first example of hentai material, coming to represent the iconic style after the publication of Azuma Hideo's Cybele in 1979.

Japanese animation (anime) had its first hentai, in both definitions, with the 1984 release of Wonderkid's Lolita Anime, overlooking the erotic and sexual depictions in 1969's One Thousand and One Arabian Nights and the bare breasted Cleopatra in 1970's Cleopatra film., and the English initialism AV (for "adult video").Usage of the term hentai does not define a genre in Japan. The Oxford Dictionary Online defines hentai as "a subgenre of the Japanese genres of manga and anime, characterized by overtly sexualized characters and sexually explicit images and plots." The origin of the word in English is unknown, but Anime Nation's John Oppliger points to the early 1990s, when a Dirty Pair erotic doujinshi (self-published work) titled H-Bomb was released, and when many websites sold access to images culled from Japanese erotic visual novels and games.Due to the influence of pornographic photographs in the 19th and 20th centuries, the manga artwork was depicted by realistic characters.However, Osamu Tezuka has helped define the modern look and form of manga, and was later proclaimed as the "God of Manga".Following this release, a wealth of pornographic content began to arrive in America, with companies such as A. Vision, Central Park Media and Media Blasters releasing licensed titles under various labels. Following the bankruptcy of Central Park Media in 2009, the licenses for all Anime 18-related products and movies were transferred to Critical Mass.

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