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This would have been quite a trick, as the Larsons were building in Chicago while Stahl's offices were in Milwaukee!

Stahl of Milwaukee, a virtuoso mandolin player who had turned to authoring instruction methods. Stahl was one of the Larson's big accounts in the 'aught years and 'teens.

Around 1906 the Larsons began supplying mandolins and guitars to Stahl, who claimed himself as the maker, a deception common in this "patent medicine" era. If Carl and August seemed reticent to promote themselves, William Stahl was the opposite: garrulous, confident, and endlessly chatty.

Other recent ads placed: • 10% Off All Mel Bay Products Through April 9• Complete Jethro Burns Mandolin• Banjo And Chord Reference Wall Chart• Mandolin Chord Melody System• Banjo Chord Encyclopedia• Easy 2-Chord Songs For Mandolin• Power Pickin' Vol.

3: Playing Banjo Backup In Bluegrass DVD• Clawhammer Banjo Tunes, Tips & Jamming• Tony Trischka Master Collection Of Fiddle Tunes For Banjo• Deluxe Encyclopedia Of Mandolin Chords• Banjo G Tuning Photo Chord Book• Beginning Old Time Banjo (DVD)• French Baroque Mandolin Suite• Left-Handed Banjo G Tuning Photo Chord Book• Beginning Old Time Banjo DVD• Jazz Mandolin Appetizers• Straight-Ahead Jazz For Banjo• Bluegrass Banjo Anatomy And Mechanics Wall Chart I have a 2005 Elkhorn in exceptional condition.

A set up from one of our luthiers is always included with a new instrument. Other recent ads placed: • Collings Acoustic Guitars Om1 A Jl Traditional - Julian Lage• Collings Mandolins - 2006 MF GT Used• Bart Reiter Banjos - Regent Open-Back With Scoop• Ome Banjos - Trilogy 11" Tubaphone Open-Back• Waterloo By Collings - Wl-14 X Truss Rod - All Mahogany• Bart Reiter Banjos - Standard Open-Back• Martin Acoustic Guitars - 2018 HD-28• Collings Acoustic Guitars - Parlor 2H Traditional T Series• Bart Reiter Banjos - Buckbee Open-Back - Cherry• Bart Reiter Banjos - Special Open-Back• Eastman Mandolins - MD515• Martin Guitars - 1911 - 0-42 Used• Eastman Mandolins - MD615 SB• Bart Reiter Banjos - Galax• Martin Acoustic Guitars - 1963 00-21 Used• Eastman Mandolins - MD505• Ome Banjos - North Star Bluegrass Resonator• Gold Tone Banjos - Cripple Creek 11" Open Back This book and extensive online audio recording is intended to be a tune repertoire book. Some are cliche, others unusual, some easy, some difficult.

The book contains 2 lines of tablature (one basic and one advanced) as well as standard notation and suggested chords.

For some reason Stahl called them "English Model" and referred to them as the "squashed egg ... Despite his apparent diffident attitude towards them, Stahl's flat-back mandolins, mandolas, and mandocellos are beautiful and extremely well-made instruments.

The thin but slightly arched straight-braced tops render them more responsive than Gibsons, with a more refined classical sound.

This instrument needs some work to get back into playing shape (sold AS-IS, see Details section below), but overall it’s in very good condition.

The book contains 2 lines of tablature (one basic and one advanced) as well as standard notation and suggested chords.For some reason Stahl called them "English Model" and referred to them as the "squashed egg ... Despite his apparent diffident attitude towards them, Stahl's flat-back mandolins, mandolas, and mandocellos are beautiful and extremely well-made instruments.The thin but slightly arched straight-braced tops render them more responsive than Gibsons, with a more refined classical sound.This instrument needs some work to get back into playing shape (sold AS-IS, see Details section below), but overall it’s in very good condition.$1,000.00 Teardrop shape Mahogany body and neck Round soundholes Rosewood fingerboards on opposite sides of the neck 17 frets on the mandolin side and 12 frets for the uke Both have ~1-5/16" nut widths and 13-5/8" scales Mandolin side sports a rosewood bridge and nickel tailpiece Uke bridge is stained pearwood Mandolin tuners are nickel 4-on-a-plate with white plastic buttons Ukulele has rosewood violin-style friction pegs Both sides of peghead stamped N. Gorgeous looking and sounding Lowden S-50 guitar with sinker redwood top, Madagascar rosewood back and sides, koa binding with bevel for comfortable play. The catch is, they never put their name on them -- the Larsons showed comparatively little interest in marketing.Much of their output was contracted to sell under other brands.It has mahogany body with round soundholes on both sides. I don't have a Weber now and have recently ordered a different tonegard so this tonegard has been surplus to requirement. 1917, made in Chicago, serial # 25853, natural finish, rosewood back and sides, spruce top; mahogany neck with ebony fingerboard, black chipboard case.

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The book contains 2 lines of tablature (one basic and one advanced) as well as standard notation and suggested chords.

For some reason Stahl called them "English Model" and referred to them as the "squashed egg ... Despite his apparent diffident attitude towards them, Stahl's flat-back mandolins, mandolas, and mandocellos are beautiful and extremely well-made instruments.

The thin but slightly arched straight-braced tops render them more responsive than Gibsons, with a more refined classical sound.

This instrument needs some work to get back into playing shape (sold AS-IS, see Details section below), but overall it’s in very good condition.$1,000.00 Teardrop shape Mahogany body and neck Round soundholes Rosewood fingerboards on opposite sides of the neck 17 frets on the mandolin side and 12 frets for the uke Both have ~1-5/16" nut widths and 13-5/8" scales Mandolin side sports a rosewood bridge and nickel tailpiece Uke bridge is stained pearwood Mandolin tuners are nickel 4-on-a-plate with white plastic buttons Ukulele has rosewood violin-style friction pegs Both sides of peghead stamped N. Gorgeous looking and sounding Lowden S-50 guitar with sinker redwood top, Madagascar rosewood back and sides, koa binding with bevel for comfortable play. The catch is, they never put their name on them -- the Larsons showed comparatively little interest in marketing.

Much of their output was contracted to sell under other brands.

It has mahogany body with round soundholes on both sides. I don't have a Weber now and have recently ordered a different tonegard so this tonegard has been surplus to requirement. 1917, made in Chicago, serial # 25853, natural finish, rosewood back and sides, spruce top; mahogany neck with ebony fingerboard, black chipboard case.

||

The book contains 2 lines of tablature (one basic and one advanced) as well as standard notation and suggested chords.

For some reason Stahl called them "English Model" and referred to them as the "squashed egg ... Despite his apparent diffident attitude towards them, Stahl's flat-back mandolins, mandolas, and mandocellos are beautiful and extremely well-made instruments.

The thin but slightly arched straight-braced tops render them more responsive than Gibsons, with a more refined classical sound.

This instrument needs some work to get back into playing shape (sold AS-IS, see Details section below), but overall it’s in very good condition.$1,000.00 Teardrop shape Mahogany body and neck Round soundholes Rosewood fingerboards on opposite sides of the neck 17 frets on the mandolin side and 12 frets for the uke Both have ~1-5/16" nut widths and 13-5/8" scales Mandolin side sports a rosewood bridge and nickel tailpiece Uke bridge is stained pearwood Mandolin tuners are nickel 4-on-a-plate with white plastic buttons Ukulele has rosewood violin-style friction pegs Both sides of peghead stamped N. Gorgeous looking and sounding Lowden S-50 guitar with sinker redwood top, Madagascar rosewood back and sides, koa binding with bevel for comfortable play. The catch is, they never put their name on them -- the Larsons showed comparatively little interest in marketing.

,000.00 Teardrop shape Mahogany body and neck Round soundholes Rosewood fingerboards on opposite sides of the neck 17 frets on the mandolin side and 12 frets for the uke Both have ~1-5/16" nut widths and 13-5/8" scales Mandolin side sports a rosewood bridge and nickel tailpiece Uke bridge is stained pearwood Mandolin tuners are nickel 4-on-a-plate with white plastic buttons Ukulele has rosewood violin-style friction pegs Both sides of peghead stamped N. Gorgeous looking and sounding Lowden S-50 guitar with sinker redwood top, Madagascar rosewood back and sides, koa binding with bevel for comfortable play. The catch is, they never put their name on them -- the Larsons showed comparatively little interest in marketing.

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